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Writing Across the Landscape: Travel Journals 1950-2013-Lawrence Ferlinghetti

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Ebook About
In celebration of Ferlinghetti’s 100th birthday comes this “stunning portrait” of the intrepid life of “one of America’s best poets” (Huffington Post).Over the course of an adventured-filled life, now in its tenth decade, Lawrence Ferlinghetti has been many things: a poet, painter, pacifist, publisher, courageous defender of free speech, and owner of San Francisco’s legendary City Lights bookstore. Now the man whose A Coney Island of the Mind became a generational classic reveals yet another facet of his manifold talents, presenting here his travel journals, spanning over sixty years. Selected from a vast trove of mostly unpublished, handwritten notebooks, and edited by Giada Diano and Matthew Gleeson, Writing Across the Landscape becomes a transformative work of social, cultural, and literary history.Beginning with Ferlinghetti's account of serving as a commanding officer on a Navy sub-chaser during D-Day, Writing Across the Landscape dramatically traverses the latter half of the twentieth century. For those only familiar with his poetry, these pages present a Lawrence Ferlinghetti never before encountered, an elegant prose stylist and tireless political activist who was warning against the pernicious sins of our ever-expansive corporate culture long before such thoughts ever seeped into mainstream consciousness.Yet first and foremost we see an inquisitive wanderer whose firsthand accounts of people and places are filled with pungent descriptions that animate the landscapes and cultures he encounters. Evoking each journey with a mixture of travelogue and poetry as well as his own hand-drawn sketches, Ferlinghetti adopts the role of an American bard, providing panoramic views of the Cuban Revolution in Havana, 1960, and a trip through Haiti, where voodoo and Catholicism clash in cathedrals "filled with ulcerous children's feet running from Baron Hunger." Reminding us that poverty is not only to be found abroad, Ferlinghetti narrates a Steinbeck-like trip through California's Salton Sea, a sad yet exquisitely melodic odyssey from motel to motel, experiencing the life "between cocktails, between filling stations, between buses, trains, towns, restaurants, movies, highways leading over horizons to another Rest Stop…Sad hope of all their journeys to Nowhere and back in dark Eternity."Particularly memorable is his journey across the Trans-Siberian Railway in 1957, which turns into a Kafkaesque nightmare in which he, lacking a proper visa, is removed from a Japan-bound freighter and forced back across the Russian steppe to Moscow, encountering a countryside more Tolstoy than Khrushchev, while nearly dying in the process. Readers are also treated to glimpses of Ezra Pound, "looking like an old Chinese sage," whom Ferlinghetti espies in Italy, as well as fellow Beat legends Allen Ginsberg and a dyspeptic William S. Burroughs, immured with his cats in a grotto-like apartment in London.Embedded with facsimile manuscript pages and an array of poems, many never before published, Writing Across the Landscape revives an era when political activism coursed through the land and refashions Lawrence Ferlinghetti, not only as a seminal poet but as an historic and singular American voice.

Book Writing Across the Landscape: Travel Journals 1950-2013 Review :



What a delightful tour of Ferlinghetti's world as he combined his clearly superior talents of poet, business person and talented publisher in a very meaningful life. Viewig the times he writes about one finds it hard to perceive what was really going on if one views those times from the 21st century person's perspective. Clearly, reading this piece offers those who lived through the times described in these edited personal journals adds perspective to one's perspective on the times and how things happened in an individual's life.Lawrence Ferlinghetti demonstrates his remarkable prose and poetry writing talents throughout the writings. The editors, who found the journals in U C Berkely's Bancroft Library where they had been donated and collaborated with Ferlinghetti in their being published, need to be awarded high praise for bringing this publication before the reading public.
In 1962 I produced Ferlinghetti at San Diego State College and at a jazz club in La Jolla later in that day. Reading this journal is a delight, partly because I now reside in Mexico, but mostly because I have loved his poetry for many years. What a trip to read him and be drowned in his prose, which is poetic. To read about the Beat Generation in its various stages and even its renowned places such as the 'Beat Hotel' in Paris which I have been to. Or to realize that the famous Shakespeare bookstore on the Left Bank is the genuine sister book store to City Lights in San Francisco sends me many messages of hope for great bookstores. For those interested in the Beat Generation this is as good a place to start as Kerouac's On The Road or Ginsberg' Howl. Of course you should probably read all three.When I first met Lawrence in San Diego I had been told that he was walking from Mexico City to San Francisco, whether true or not he walked into my life and now I have read his journal. He positively amazes me. I hope all will read this great book.

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